2010 Amacher Homage Commissioned Performance for the Floating Points Festival NYC, July 2010, Curator Stephan Moore

2009 The End of Safari Commissioned Installation for Mass MoCA, April 2009-Feb 2010, Denise Markonish, Curator
2008 You and Me, Going eight channel sound installation, MATA Festival commission
2007 Nine Mountain Process for 15-30 participants, tuned aluminum sculptures, choreography, prose score
2007 Taking: The Pulse of a Medium, Text + 2 Audio Pieces for the first Journal of the Valkenberg Hermitage
[Berlin, Chris Kelley, Curator]
2006 The Phoenix, a twelve-channel public outdoor sound installation commissioned by the City of New
Haven [Denise Markonish, Curator]
2006 Return to Sender a six channel sound piece to accompany a video by Treva Wurmfeld tracking tenuous
relationships between the parallel histories of open heart surgery and the career of Elvis Presley [Bethany
Wright, Curator]
2006 not music music commissioned performance for Movement Research Festival [Koosil-Ja Huang,
Curator]
2006 blank lineup for “Group Show I” at Diapason Gallery for Sound, NYC [Michael Schumacher, Curator]
2005 empty cartoon music commissioned by Carley Petesch for her dance company [Dance Theater
Workshop NYC premier]
2005 *asterisk for twelve broken grand pianos, twelve loudspeakers, and transduced glass [Kari _Conte,
Curator]
2004 for 3 percussionists and 8 locations – a brief graphic score for three players, eight music stands, 16
sound objects, and choreography
2004 Blood on Hands: Dedicated to Soldiers Acting Against Their Conscience, for Prepared Pianist and
Prepared Piano commissioned by Nuke Magazine [Paris]
2004 Creative Diplomacy I: North Korea unsolicited public art proposal for decommissioned propaganda
loudspeakers from Kim Jong-il’s regime in several public spaces across the United States, funding and concept
proposal to president’s office, audio content provided by the President on an ongoing basis
2004 falling music,for 1000 tambourine chimes slowly replacing the leaves of one or more deciduous trees
2004 carousels [parallax], 19 transcriptions of pedestrian movement, 19 metronomes, 1000′ wire -
Commissioned for Wandering Rocks Revolving Doors exhibition as part of the Centennial Bloomsday
2003 People in Boxes I gallery installation for two participants in different boxes creating a “telepresent”
touch relationship within close proximity
2003 Pinball, game music for solo prepared piano and pianist with pianohammer-activated-ball bearings of
varying sizes.
2002 Anthem for solo voice, live electronics [Supercollider], eight loudspeakers
2002 ummer secret imaginary music, sound sculpture
2002 be still take up as much space as possible, a sequence of solos derived from prose scores
2002 Scale for just-intonation synthesizer and shortwave radio, available on Stasisfield Records
2002 Soundtrack for Paper a film by David McDougall
2001 Shadows and Overlays, a collaborative project with eight strangers leading to an installation of several
living environments composed of the same objects.
2001 Very Brief Piece for String Quartet and Ball Bearings [For Alvin Lucier]
2001 scant motives release, for small ensemble
2001 Touch for Halcyon tone generators, fractal noise, guitar, and video, available on Stasisfield
2000 Genesis [For John Barlow], a performance for a large empty space, rows of chairs,
heavy books, 10-20 performers and one    non-participating observer
2000 murmurs, a series of short works based on electrocardiograms of outpatients from Athol Memorial
Hospital
2000 spell, mobile music of 26 unconducted lettered [A-Z] compositions